1001 Nights - Stories of Traditional Handcrafts from Egypt

History of Garagos Pottery and more ……….

Posts for Tag: qurna

Saturday 3rd March 2012 - Nothing Goes to Plan in Luxor (or Makadi Bay!)

Peter had set his alarm to go off before 5:30 AM. He wanted to check that Lou and Bev had been picked up from their hotel okay. Firstly he phones Haney who confirms that he has arrived at the hotel and Lou and Bev are with him. He had driven all the way from Luxor the day before to get to them. They are about to set off for the 40 min drive from Makadi Bay to the checkpoint at Safaga. Peter phoned them intermittently to check that everything was okay. I knew everything wasn't going smoothly as soon as I heard Peter say “Ya ragal!” a number of times in a row. This translates as Oh Man! I can tell by the tone of his voice that everything is not well. Peter turns to me and tells me that the police at the Safaga checkpoint will not let the Louis and Bev through as they are saying that the driver doesn't have the right permissions. All I can do is sit there in disbelief – I can only imagine how disappointed they will be if they don't make this trip. It seems the police are adamant – they won't let them through on the permission that Haney has – despite him assuring us that he travels with tourists with this paper all the time. He also tells us that there are an unusual amount of police at the checkpoint – about 40 and that they are even getting on the coaches and checking the passports of tourists which isn't usual.

(The next section of this blog outlines the fiasco that then ensues and doesn't make for very good reading. However, I may look back on it one day and remember this and see the humourous side!)

Peter made a couple of phone calls to Bob and Tony to see if they could help in anyway. However despite their efforts nothing came of this. We kept checking back with Louis to see what was happening there but there was no negotiation. I could tell that they were feeling a bit fed up having been up since before five o'clock. I think they just wanted to go back to their hotel at this point. We had exhausted all leads by this time so the decision was made to tell Haney to take them back to the hotel. Peter and I were both gutted. I was completely exasperated as we had been assured that this driver had an annual permission which allowed him drive tourists to and from the Red Sea without any restrictions. Peter and I talked through a couple of options. After weeks and weeks of telling Lou what we had planned for them we must find some way to get them over to Luxor today or tomorrow. We had already discussed sending them by taxi from Ehab's hotel but at £150 this seemed expensive. Regardless, it was already too late to get this arranged for today.

We both started to think of other options. Peter suggested that we could go over to see them instead. Although this would have been nice, it defeats the purpose of the exercise of showing them the 'real' Egypt. I asked Peter to speak to Ehab again and if we need to pay £150 we would – even though this is the same price as an excursion to Cairo including flights, pyramids and the Egyptian Museum!

Peter phones Ehab and explains the situation to him and he says he will make some more enquiries. We phone Lou to tell him that we are looking at ways to try and get them over tomorrow and that we'll phone back when we hear back from Ehab. Soon Ehab phones back and tells us that the taxi driver can bring Louis and Bev to Luxor for £80 but this doesn't include any excursions. This is much better as Peter already has the tickets for all of the attractions that we wanted to see from Mr Sameer at Menf Travel. All Peter has to do is return the tickets that we don't use. Ehab tells Peter that Louis and Bev will need to fax copies of their passports over to his hotel. We send a text message to Louis telling him this with the fax number of hotel.

Whilst there is nothing else we can do, we decide to go down to breakfast - at least to take our minds off this stress. I can't say I really enjoyed breakfast, I couldn't help thinking how disappointed Louis and Bev must have been. However, Peter is more philosophical as always - a trait that I admire and wish I had more of.

After breakfast we go and sit in reception, to take advantage of the free Wi-Fi. Peter had picked up old Wi-Fi dongle from the flat but for some reason it wasn't working. It seems that it needed a software update but this had all gone a bit wrong. In the end I gave up with it and we agree we should make do with the one hour a day free Wi-Fi when we're at the hotel.

Enough of this messing around. We now have a full day in Luxor and we need to decide how to fill it. Peter phones his friend Hamada and asks him to come and pick us up. We decided to go to Hassan Fathy village on the West Bank. This isn't something that Lou and Bev would be interested in so it makes sense for us to go on our own today. 30 minutes later Hamada arrives at the hotel. After greeting each other we get into the car and head off out of Luxor towards Awamia and then over the bridge onto the West Bank. Whilst still on the east bank we see smoke billowing out across the river. A boat pumps water onto the fire from the Nile – it seems that a fire set to burn the sugar cane stubble has got a little out of control – there is still a strong breeze today.

We get a phone call from Louis telling us that the fax machine in the hotel isn't working. Oh my God! The planets really are aligned in the wrong position at the moment! Peter tells Louis that he will phone Ehab and get an e-mail address for the hotel and to hang fire. Peter makes the call and Ehab says that he will go and get the e-mail address and phone Peter back. 10 minutes passed and we didn't hear back from Ehab so Louis tells us that they are going to go back to bed for a while. Shortly after, Ehab phones us with the e-mail address of the hotel which we then text to Louis. Louis phones us later to tell us that the hotel had emailed over copies of their passports. Peter phones Ehab to ask him to check whether the e-mail has come through. Ehab phones us back to say that the e-mail didn't go through. Exasperation doesn't begin to describe how I'm feeling at this moment in time! I find out later that Ehab ends up sending a car over to the Stella Makadi to pick up the photocopies of the passports. This really is turning into a farce!

Ehab tells us not to worry. He has already spoken to the owner of the car who assures us that they will sort out the paperwork and everything will be okay. They tell us to let Louis that the car will pick them up at 6 AM in the morning. We then send Louis a text message with this information.

By now we were over on the West Bank of the River Nile and making our way towards Hassan Fathy village. Before leaving for Egypt I had just finished reading Architecture for the Poor by Hassan Fathan and so was desperate to see what remains of the village he set out to build.

http://www.touregypt.net/featurestories/newgourna.htm

 

We arrive at, Hassan Fathy village and meet Mr Ahmed Abd Elrady. He tells us that his father was the first man to move into the first house that Hassan Fathy  built in the village. He asks us what country we come from and I tell him England. He says he will get his daughter Soraya who speaks English very well. Soraya takes us into the house. We go through a series of arches that takes through to a bedroom and living room. She tells us that there was a Hassan Fathy exhibition in Cairo last month. A limited edition of a Hassan Fathy book was produced to mark this occasion but it is now impossible to get copies – she shows us the copy she has. She then takes us through to another room which she tells us is the room that Hassan Fathy himself stayed in. She describes the bed which has a concrete base, a wooden platform that can be raised for storage, and this is covered by a mattress. She points out a narrow channel along the bottom of the bed and explains that this used to be filled with water and was the method used to stop scorpions from climbing into the bed. I remember how Hassan Fathy describes this in his book and also how the people of Gourna used to build a mud bed called Beit el agrab which was also designed to protect people from scorpions whilst sleeping.

We spent some time talking to Soraya asking many questions about what other people thought of Hassan Fathy. I tell her that some people think that he didn't care about the poor people – that he was a wealthy man who had no idea about the conditions that people lived in. She was quite fervent in her reply and said that this wasn't true and that he was a very kind man with a very good heart. We continue to walk around the small complex. I take in the details such as the coloured glass pieces set into the domed roof – attractive and also letting in light. Soraya points out some small circular tunnels set into the top of a high wall and tells us that this was for pigeons. When Hassan Fathy was consulting with the local people of Gourna on what they wanted of the houses they said they wanted a place for pigeons and so a type of dovecote was built into the design. This is an attractive building. It feels light and spacious and the details in the windows which serve to filter light but also let in air are attractive.

The visit to this house is short and we return outside to talk again to her father. We ask him if there is anything else that we can see that remains of the village. He pointed across the square to the mosque. We also ask him other questions about Hassan Fathy and I think that he realises that we have a genuine interest in him and already have quite a bit of knowledge about him from reading his book. He walks us over to the mosque and once there describes the design of the dome telling us that it spans 15 metres and that it took great skill to build. I tell him that I read in Hassan Fathy's book that he had to go to Aswan to find skilled workers who could make domes like this as this was a dying trade. He said yes this was true. He tells us that out of the 700 houses that Hassan Fathy built, only 70 remain. As people moved into the area they began to knock down buildings and rebuild them in a modern style using concrete and baked bricks. The local people weren't interested in following the principles that Hassan Fathy had used to design the village and he found this upsetting. He says that UNESCO had declared Hassan Fathy village as a heritage site and had invested money to refurbish the theatre, and the remaining houses. However since the uprising, work on this had come to a halt and everything is at a standstill. He explains that UNESCO will give funds to a government but at this moment in time Egypt does not have a government in power – hence the halt to work here. As we leave the mosque I go over to look at the school and another house across the road. There are also a series of domed arches which I'm told is the marketplace. Mr Elrady then decides to take us to see some of the other houses which he has now taken on as a project to complete.

The other houses are a short drive away and Hamada takes us in his car. The first house he takes us to he says is owned by a man who lives in Thailand. He bought the house with the intention of refurbishing it but discovered that this was a very expensive undertaking. Hassan Fathy had originally designed the houses with cost effectiveness in mind. Mud bricks were at the time the cheapest material in which to build. The mud used to make the bricks was a result of the annual flooding of the River Nile which washed up a lot of fertile silt. When the high Dam was built in 1963 the land was no longer flooded and now this silt is a protected resource – a bit like the restrictions we have on peat here. Now to refurbish a Hassan Fathy house baked bricks must be used and this is a much more expensive option. As we walk through this house into a small square yard we see a sunken swimming pool - I'm not sure if this is an original feature or a modern feature commissioned by the man in Thailand.

We climb some stairs up to a terrace which has breathtaking views of the Theban mountains. At that moment in time I could imagine myself living there.

We then make our way down the steps to go into another house. Mr Elrahdy asks me why I am interested in Hassan Fathy. He says that I am British and he doesn't know any British people that are interested in Hassan Fathy - only the French are interested in architecture and heritage. He says that he knows that some of the engineers that worked with Hassan Fathy were British but still they show no interest in the restoration project. I tell him that I first heard about Hassan Fathy through the Garagos pottery. I tell him I'm interested in finding out more about the Garagos pottery and I know that Hassan Fathy designed it. I bought his book hoping that it would give me more information for my research but there was no more than a paragraph on this. However, the book is very interesting, not a technical book, but a book about a mans personal journey and the development of a new village using an ancient technique. He then takes us to another house which he tells us used to belong to the to the police and that is why there are many rooms. The house is now owned by the University of Art. He points out the two domes in this house which he says are the only two remaining mud brick domed houses in the village. We now go up onto the roof of this house to see the domes from the top. Mr Elrahdy shows us that the domes are covered in turfs of mud so that the sun doesn't penetrate through the dome into the home.

We are over one hour in Hassan Fathy village. As we make our way back to the car Hamada whispers to me that Hassan Fathy did not live in the first house, but he lived in the second house that we were shown - the one with a swimming pool and the first-floor terrace with great views overlooking the Theban mountains. The first house when you arrive to Hassan Fathy village is more like a museum and I'm sure gives it a bit more kudos if people believe Hassan Fathy himself stayed there! I'm not sure whether tourists visiting the village are shown these additional houses but we are delighted that we have seen more than we expected to. Hopefully we will come back one day and visit the fully restored theatre and additional houses.

We thank Mr Elrahdy for his time and we drive back towards the Nile to the Ramla. Peter has phoned his old friends Osman to say hello. Osman can be described as a local entrepreneur, owning a couple of felucca's, motorboats, miscellaneous businesses and land. Osman tells Peter that he will come to meet him. Whilst we wait for him Peter sees a young man he used to know calls Abu Halawa. This is his nickname - he used to be one of Peters students when he taught science at a high school on the Westbank. He invites us to sit outside his shop and drink tea which we accept. I remember this man from about five years ago. He drove us back from the West Bank by motorboat one evening and I remember him telling Peter that he didn't need education as long as there is tourism. I think Peter felt a little dismayed that he hadn't completed his education but then he points out a restaurant above the shop which he tells us he rents to someone. He owns the shop, a restaurant and also still works for Osman – so he doesn't appear to have done too badly!

Osman arrives on his motorbike and invites us to his new cafe. Hamada drives us until we arrive at Ramla on the Beach. This place is right on the edge of the Nile with a great view across the river to the East bank. Sand has been laid down to give the cafe a beach feel. Osman tells us it has been open for three months. They had a big party when it opened with dancing and horses – not sure how they worked together but it sounded like a good night! Osman also tells us about his trip to Cyprus. We spend over an hour at the cafe drinking tea and watching life go by.

We drive back to the east bank not quite sure what to do next. We decided to go to one of the cafes down on the River Nile and choose the Metropolitan. I used to go here to have freshly baked baklawa and tea. When we arrive we ask if they have baklawa and he says no. We decide to stay and have something to eat anyway. We order pizza, garlic bread and tahini. They tell us they have no salami for the pizza but say they can do a pizza with hot dogs. We say without meat is fine. We take a seat in the sunshine. The man comes and tell us they have no garlic bread. We say ordinary bread is okay. Either we've picked a really bad day to come and eat at the Metropolitan or they've given up hope on any tourists visiting completely!

Michael phones to say that he is coming down with an old friend of Peters called Magdi who is a chief engineer at the Hilton hotel in Hurghada. Shortly after Michael arrives with Magdi and Hamada is back from parking the car. Michael is fasting so chooses a fasting pizza – a plain pizza with vegetables and no cheese. It is now getting cold as the sun goes down - it is about 5.30 and the sun is beginning to set. After we've eaten and had a chat we say goodbye to Michael and Magdi and Hamada drives us back to the hotel. When we arrived at the hotel we decide to take advantage of the one-hour free Wi-Fi to check our emails. After this we returned to the room for a bath and to start planning the day for tomorrow again. We also take time to catch up on the blog as we are in grave danger of forgetting everything that we have seen today. It's going to be another early start so we decide to call it a night.

1st October 2011 - Farewell to Garagos

We sleep in late again today. My body clock is just beginning to adapt to the late nights and late starts – usually I’m an early person. We plan to return to Luxor later. Peter has arranged for Hamada to come and pick us up. It’s always difficult saying goodbye. We had hoped to visit Hagaza a nearby village that is famous for its beautiful wooden hand-crafts. We will leave this until our next trip.

Tahani has prepared breakfast for us. As we break into our freshly boiled eggs Tahani begins to talk to Peter about her concerns for Michael. I don’t want to talk about this family issue but Michael and their hopes for him getting married is always a topic of discussion for his mother or his father with Peter.

Ehab, Margreet and the twins arrive. I know Margreet loves having Ehab at home but I guess she feels that as soon as Ehab has arrived back in the village it very quickly time for him to return to work in Safaga.

Peter’s father comes back from the farm with a bunch of freshly pick Molokhia (Jews Mallow). Again this is something that I also find an acquired taste but here’s recipe in case you’re interested:

 

Peter’s father now continues the conversation about Michael – poor Michael – his ears must be burning! It’s an age old situation – parents with concerns over their children – whatever their age.

Sara and Susanna entertain us with some belly dancing. I video them and then download the video’s onto the netbook for them to watch – a game that could go on forever!

Sometime after midday day we get a call from Hamada that he is in Garagos but has got lost somewhere. Several phone calls later, Peter goes out to find where he is. The village is like a maze and it is easy to get disoriented. Mr Riad comes to say goodbye to us and sits and waits with us until Peter returns with Hamada.

As is the custom, Hamada is invited into the home to drink tea. As he enters Peter’s father greets him with “Alf Salam”. Hamada declines tea but accepts a glass of water.

Shortly after our bags are carried to the car and we say goodbye to Tahani and Alfons, Mr Riad, Ehab, Margreet and the twins. Other family members are in the street waiting to wave us off. We have to reverse back down the narrow street - just before Hamada arrived, a local man with a donkey and cart selling vegetables stops near the house to sell his wares. This street is only wide enough for one car so it requires some navigation and co-ordination to reverse without scraping against the wall of a building.

We wave goodbye and I can understand how difficult this is for Peter’s mother and father. They miss him terribly and I know they want him to stay in the village instead of returning to Luxor.

We drive out of the village and back along the canal that feeds water to the land. We see boys jumping from a bridge into the canal and I begin to think of the swimming pool that waits for us back at the hotel. As we draw nearer to Luxor Peter tells me that Hamada is going to take us straight to an alabaster factory on the Westbank – oh well – when in Egypt – just go with the flow!

We drive into Luxor and then back out on the Movenpick Road towards Awamia. Eventually we get to the bridge that takes us over the Nile onto the Westbank – much quieter and more agricultural than the East bank – but also full of amazing wonders.

http://www.touregypt.net/featurestories/westbank.htm

We drive until we come across the amazing sight of the Colossi of Memnon. Unfortunately the photo I take is from a speeding car so not my best phot of the Colossi - well actually I only manage to get one of them from the back!

http://en.wikipedia.org/wiki/Colossi_of_Memnon

I remember being so in awe of this amazing the sight the first time I came to Egypt. The Colossi were built to guard the mortuary site of Amenhotep. Since I came past here last, more archaeological finds have been discovered by the Colossi. Bit by bit Egypt reveals more of its hidden secrets.

We drive past small pottery workshops. We arrive at the alabaster factory. Unfortunately we also arrive at the same time as a coach load of Russian tourists! Fortunately we aren’t herded in with the Russians – a man from the factory greets us and takes us over to three men who are sitting on the floor demonstrating various different stages of the process. This is all very well-rehearsed – like a sketch from a show – but more of this was in stores once inside!

We walk into a large showroom displaying a massive selection of pots, jars, tea sets, chess sets and of course pharaonic statues of all sizes. We had managed to get ahead of the Russians but now they stream into the room escorted by a number of the factory’s staff. They are welcomed to the showroom. I wasn’t paying much attention but a minute into the welcome speech the lights go off. I think my first instinct must have been that a power cut had happened as is quite usual, but then a chorus of Happy Birthday rises from the depths of darkness. As I turn around I notice that a section of the display is glowing a flourescent green – jars, vases and pharaonic figures all glowing in the dark. The Russians cheer and the lights are switched on again. The work 'Pantomime' springs to mind!

Peter, Hamada and I browse the shelves, I'm constantly shadowed by the man that welcomed us at the entrance. Alabaster is a beautiful stone and is shown at it's most beautiful when lit from within. The jars, pots and candle holders are stunning – pharaonic statuettes less so. Peter and Hamada speak to the gentleman that met us at the entrance. They talk about prices and shipping – I leave them to it.

 http://en.wikipedia.org/wiki/Alabaster

The alabaster products are a reasonable priced but Hamada tells us later that guides will get 50% of any sales. During this brief visit I am given two alabaster ankh's and an alabaster scarab beetle - little tempters to encourage me to buy - but I think of the pottery we already have to carry home.  We leave the factory and the Russian tourists behind to return back to the East Bank. It's late afternoon and the light casts a warm glow over the Theban Mountains. We drive past Qurna, the deserted village resting on top of the ancient necropolis.

Quote from Wikipedia:

"Kurna (also Gourna, Gurna, Qurna, Qurnah or Qurneh) are various spelling for a group of three closely related villages (New Qurna, Qurna and Sheikh ‘Adb el-Qurna) located on the West Bank of the River Nile opposite the modern city of Luxor in Egypt near the Theban Hills.

New Qurna was designed and built in the late 1940s and early 1950s by Egyptian architect Hassan Fathy to house people living in Qurna which is now uninhabited. New Qurna was added to the 2010 World Monuments Watch List of Most Endangered Sites to bring attention to the site's importance to modern town planning and vernacular architecture due to the loss of much of the original form of the village since it was built.

The Villages

New Qurna (or New Gourna)

New Qurna was built between 1946 and 1952 by Egyptian architect Hassan Fathy midway between the Colossi of Memnon and el-Gezira on the Nile on the main road to the Theban Necropolis to house the residents of the Qurna. The design, which combined traditional materials and techniques with modern principles was never completed and much of the fabric of the village has since been lost; all what remains today of the original New Qurna is the mosque, market and a few houses. UNESCO World Heritage conservation wishes to safeguard this important architectural site. The World Monuments Fund included New Qurna in the 2010 World Monuments Watch List of Most Endangered Sites.


Qurna (or Old Gourna)

Qurna is an abandoned village about 100m to the east of the Temple of Seti I. Until the early 19th century the community included at least parts of the Temple of Seti I. Several travellers, including Richard Pococke or Sonnini de Manoncourt even name a Sheikh of Qurna. Edward William Lane relates in 1825 that the village was abandoned and not a single inhabitant lived there. Comments by Isabella Frances Romer suggests that the resettling started in the late 1840s. New Qurna was built in the 1940s and early 1950 to house the then residents who strongly resisted the move.


Sheikh ‘Adb el-Qurna

A series of housing built in and around the mountain grottoes located about 200m north of the Ramesseum at Sheikh ‘Adb el-Qurna. The stretch of land has been the bitter battlefield between the original owners and the Egyptian government for the last 60 years, because it lay on top of an archeologically area, part of the Tombs of the Nobles. Edward William Lane relates that the residents moved into these grottoes from the village of Qurna, which they abandoned, when the Mamluks retreated thought the area, following their defeat by Muhammad Alī's forces in the early 19th century.”

 http://www.qurna.org/index.html

 http://weekly.ahram.org.eg/2008/883/feature.htm

 

 http://www.artofcounting.com/2010/06/28/are-the-living-pesky-the-destruction-of-qurna-and-archaeological-hypermetropia/

 

 

You will see the mention of the architect Hassan Fathy. You will read more about the links to Hassan Fathy and the Garagos Pottery on the 1001 Nights page in Posterous as our research and compilation of the story develops.

We drive past the sugar can fields and several banana plantations. We see the green footed lesser egrets paddle in the irrigation channels running through the green land. Again that familiar smell of smoke seeps in through the car window. I don't know why the burning of sugar cane stubble is so wonderful – well yes I do ­ it's one of the most evocative smells of Luxor.

We cross the sugar can train track and are now close to the edge of the West Bank of the Nile. We pass what were once brighty coloured houses and shops, now scarred with the patina of age and the desert dust. They line both sides of the street like a guard of honour, escorting us visitors away from this very special place.

Before long we are back at the hotel and now wash the Garagos dust from our hair (literally and figuratively). We are in time to watch the sunset over the Theban Hills from the balcony – I will never tire of this beautiful site.

We decide to eat in the hotel in Aladdins Restaurant outside in the hotel grounds. It's a nice warm evening we don't have to walk too far considering our near exhausted state. Unusually, we see that a sound system has been set up. We haven't seen any evening entertainment here in the hotel on this trip due to the lack of tourists. However, there appears to be a group of 'day' tourists and they are dining at the hotel before returning to the Hurghada this evening. We are told by the waiter that they had planned to put on a belly dancing show for the tourists but the belly dancers haven't arrived and are late. This is such a shame – the tourists finish their meal and head out to their coach without seeing the 'entertainment'.

We get a phone call. Tony is waiting outside the hotel for us. He is going to take us to the tourism company office where he still works and where Peter used to work. We are also going to pick up our bits and pieces that 'went missing' in the Sheraton in Cairo. We drink tea in the office with Tony and Mr Mourad the manager of the travel company – the three of them talk about old times and also about how hard tourism has been hit since the uprising.

Peter and I have decided to do a caleche trip around the city. Peter's friend Radwan is waiting for us on the Corniche. We say goodbye to Tony and Mr Mourad and walk out to meet Radwan. It's a delight to see him again – Peter has know him for a long time – the travel company always uses good, reputable caleche drivers who speak English. Radwan is a very polite young man, university educated and now tells us that since he saw us last he is now married and expecting their first baby. Congratulations are shouted in English and Arabic. Radwan is also a qualified guide. He tells us (as we've heard from everyone so far) how bad business is in Luxor and even though his wife is about to have a baby, he will be taking work in Hurghada so that he can support his family. Radwan says that it's difficult to get a handle on the real situation in Egypt. Information differs significantly depending on it's source – state tv, the internet, the grapevine. He says it's the information that people don't know that is most dangerous. Peter and Radwan continue to talk about the state of the country – I take in the familiar sights of Luxor by night.

I spot a couple of significant sights – we go past one of our favourite coffee shops Alfa Leyla we Leyla (One Thousand Nights and One Night) and then as we pass the Franciscan Church, the sign on the front of the church seems to say 1001. I like to think they are lucky signs for our little project!

Radwan drops us back at the Sonesta. We say goodbye and wish him all the best for the birth of his new baby. Before we go to bed we sit on the balcony and drink a glass of wine. Birds swoop across the Nile and over on the West Bank we hear a donkey bray and the soft chugging sound of a motor boat.

Peter and I talk about our visit to Garagos. It's only when away from the village that we appreciate how different the way of life is - not to the UK but to Luxor. The difference is also apparent between Luxor and Cairo – Egypt is indeed a country of many faces (and differing mentalities). Our visit is nearly at an end and there is a sense of sadness about leaving – for Peter his family and birth place and for me a country I have grown to love. Exhaustion takes over us.  I hope tomorrow is a lazy day.